Mehmet Can Doğan, one of today's poets, both phenomenologizes and deconstructs the conventional forms of perception, sensation and emotion in his poetry book Ben Size Çok Geldim. In the poem titled Regression, it is seen that knowledge and literary discourse are brought together and the phenomena of sensations belonging to the psychic world of human beings are conveyed in this poem. In the poem Stroke, Can Doğan deals with the hysterical symptom of a stroke. The poem "Vehim" also says important things about the nature of a state of emotion and its functioning through human beings. The volatile tone resulting from the lack of signifier during the definition of delusion is presented precisely as a feature of delusion. Other phenomenologized sensations and perceptions in the book are the emotions around castration. Another sensation Can Doğan deals with in his poems is Envy. In the poems, the sensation of envy stands out with the trace it leaves. This trace is left by the gaze of the other who castrates the person. Because the gaze creates an arrest in the sensation and movement of the person. In the poem Salfie, thoughts and feelings are obtained as a result of the abstraction of a situation. The poem reflects on a person who can take place in a frame. It is tried to reveal that this person does not exist in himself, but in others and that he can transform. In the poem Hasa(r)at, the poem deals with what people sacrifice for what they have acquired in life. In the poem Memory, the poem includes not only the child but also what belongs to childhood. In the poem, the reason for the tendency towards childhood memories is given and the impression that these memories prepare the memory is intended to be left. In the poem When the Milk is Cut, Can Doğan emphasizes the apparent deterioration of the field of existence. He then reminds us that underneath this appearance, vitality manifests itself from time to time.