IN THE CONTEXT OF TRADITION, THE TENDING FORM OF HİLMİ YAVUZ’ S POETRY TO RESOURCES: STAYING WITH ITS OWN
One of the most important problems experienced with the modernization of Turkish Poetry, is a representation of the language and the discourse of tradition brought about by pioneers. Denial and representation in given language of poetry, are of matters that almost all poets should put in their own agendas. In this context, in the modern Turkish poetry, Hilmi Yavuz creating an unique tradition of poetic language, does not appear as a more independent poet than given facilities of tradition. Hilmi Yavuz moving tradition to the language of poetry, develops an extraordinary style. This includes the efforts of anxiety to ruin a structure what we will be able to see in Derrida with deconstructive reading in the modern age as directed towards a new detection of the cumulative accumulation belonging to tradition. Hilmi Yavuz setting up the language of poetry, creates without removing the tradition of the historical form. In a sense, he comes out in a poetic frame that appears to the reader or that is not clear in a superficial sense. However, tradition in Hilmi Yavuz’s poems continues with a hidden dynamism in matrix of poetry, he can also expect some effort from the reader to the context of meaning. This study is a reading article which is intended for the thinking codes and traditional language being obvious but secret in the language of Hilmi Yavuz’s poetry.
Tradition, modernism, poetry, language, deconstruction.