Özet
The main hypothesis advanced by Mihail Baktin in his work is “every discourse is crossed by other speeches. it has constitutive property to be multifaceted relationship with other speech, entering interdiscourse”. The notion of intertextuality, derived from notions of polyphony and dialogism of Baktin was one of the criteria of literarity of a art text. The polyphony or intertextuality is a cause of creating a heterogeneous space in the signifier. One of the methods of creating this heterogeneous space is the use of collage in a text, which is considered as a dimension of intertextuality. Collage is designed as a technique adopted by the so-called postmodern theorists. It is essential thus to mention the definitions of Louis Aragon, who first defined in depth what is meant by this term in the context of intertextuality. Indeed, considered as an important novelty, collage involves the transfer of some pieces of books, some objects, some messages etc. in another work: painting or text. It is generally accepted that the collage
was first used in the plastic arts in the 1910s. We find the most complete definitions of collage in some writings of Louis Aragon. In this work, we propose to study the collage as it appears in several writings (especially Collages) by Louis Aragon.
Anahtar Kelimeler
Collage, Louis Aragon, intertextuality, “Collages”.